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That’s nice for a cohort of viewers that’s sure to be outspoken with its feedback, but it does a disservice to anyone who’s unwilling to do hours of homework just to follow the plot of a TV show. Like most recent genre adaptations- Y: The Last Man, The Witcher, Shadow and Bone- Foundation greets existing fans of the franchise with a smorgasbord of familiar characters and settings. This would be a lot of information for Asimov newcomers to process even if the scripts weren’t also dense with tidbits of exposition, worldbuilding and high-level concepts both scientific and philosophical. (Does a show even qualify as a genre epic anymore if there aren’t multiple timelines introduced in the very first episode?)

Then there are the flash-forwards to Terminus decades in the future, where we meet an entirely different cast of characters led by the young warden Salvor Hardin (Leah Harvey) and where an ominous monolith of unknown origin hangs in the sky surrounded by a forcefield that immobilizes anyone who approaches the object. Along with Hari introducing the still-disoriented Gaal to the magical world of psychohistory, we find the Cleon triad sniffing out traitors from rogue worlds after a terrorist bombing kills millions. Goyer ( Batman Begins), to create a frustratingly convoluted opening hour.

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Instead, Apple’s Foundation patches together a dizzying number of characters, ideas and threads of backstory from throughout Asimov’s books, plus plenty of new additions from executive producer and showrunner David S. Sadly, that is not the way genre television gets translated from page to screen in 2021. Brother Day approves the plan (in Roman terms, while he’s no Marcus Aurelius, neither is he Nero) but sends Hari, Gaal and their team hurtling towards the most remote planet in the galaxy to execute it.

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If the Cleons, who are inclined to execute Hari and his freshly arrived young acolyte Gaal Dornick (Lou Llobell) for sowing panic, instead allow them to lead a generations-long project to archive the Empire’s collective knowledge, future civilizations won’t have to lose time literally reinventing the wheel.

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While the fall is inevitable, the professor offers a small consolation: he knows how to cut the Dark Ages down to a single millennium. What follows, according to his calculations, might well be 30,000 years of darkness.

Hari Seldon (the great Jared Harris, who anchored Chernobyl and grounded Mad Men), whose nascent science of psychohistory can reliably predict the behavior of masses of people, forecasts the Empire’s destruction within five centuries. You can imagine their shock when a brilliant mathematician, Dr. At any given time, three genetically identical versions of the leader preside over the capital planet, Trantor: a child called Brother Dawn (Cooper Carter as a boy and Cassian Bilton as a teen), a man in the prime of his life ( Lee Pace, bringing suaveness and hubris as Brother Day) and the white-haired sage Brother Dusk (Terrence Mann, on a sci-fi roll post- Sense8). This triumph has been attributed to the consistency with which the realm has been ruled during that era-by the Cleons, a dynasty of clone emperors. A 12,000-year-old civilization spanning a galaxy’s worth of planets with a combined human population in the trillions, the Empire has enjoyed a long period of peace. As daunting as it is, this problem pales in comparison to the one facing the futuristic Galactic Empire in Foundation, whose 10-episode first season premieres on Sept.